精神科医师莉莉安事业有成,最近生活却有点水逆。因烟瘾问题咨商多年的病人竟一朝被催眠师戒断成功,紧接着治疗九年的个案宝拉还无故自杀身亡。职业生涯惨遭滑铁卢,直觉宝拉死因不单纯的莉莉安莫名无法停止流泪。求助眼科医师前夫无果,再不信邪都得默念一句科学的尽头是玄学。莉莉安最终找上催眠师,竟意外牵扯出宝拉之死的线索……
一个无风的盛夏,曾为作家的房仲周迅生,迎来一位房客,一个清澈稚嫩、热衷在生活中表演的剧场演员,他很快地成为迅生观察的对象。而在舞台剧《海鸥》上演前,演员痛失角色,却发现自己活成了迅生小说中的主角。一名渴望被凝视的演员,一名只能寄情于文字狂想的作家,戏里戏外,在不同角色间 困惑混淆,释放欲望。导演孔庆辉游走于多重文本与身份,辩证真实与虚假。
演员、歌手北村匠海,以短篇电影《不再征服世界》完成导演处女作,将2011年去世的诗歌说唱歌手不可思议/wonderboy的同名歌曲改编成电影。受到这首歌强烈影响的北村,亲自撰写了剧本。故事讲述了内向生活的主人公彼方,在飘飘然却又想要分清黑白的同事星野的某个决断下,意识到“人生的主人公只有自己”。
IN THE LAND OF BROTHERS is the intertwined story of Afghan refugees of Iran, in three decades. Starting in 1990, there is a ten-year gap between each episode. Masoumeh: An Afghan woman is searching for her missing husband who hasn't come home in two days, in the middle of a riot in Mashhad. Her daughter Hanieh is losing her hearing and wonders where her father is. Mohammad: A teenage Afghan boy is constantly being captured by the police and taken to the station for forced labor. His family works precariously in greenhouses, and he needs to find a solution on his own. Leila: A female janitor finds her husband dead before the new year's big celebration. As she and her son are illegally living in Iran, she needs to bury her husband without the house owners noticing, otherwise she might be deported. Qasem: The brother of Leila finds out his son had been killed in a proxy war in Syria. The government wants to grant citizenship to the Afghan families that've lost sons. The man struggles to reveal this to his wife Hanieh.
疫情年代,一栋老公寓,两户对门邻居,阴差阳错串在一起。阿勋因老板染疫返家,却要面对两年前那场大火,在姊姊、妈妈和布袋戏爷爷心上留下的创口;对门的混血姊弟日日为出逃养老院的父亲烦忧。阿勋迷上邻居姊姊,也和弟弟志趣相投。怎料离别来得匆匆,原来在心与心相印的背后,还藏着动人线索。导演张作骥以新作拆解大疫时代下的人际,为不完美的人生,奏响改变命运之声。
Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.
本片以高亮连环杀人案为引,揭露网络信任危机与家庭暴力之恶,批判男性凝视下的女性困境。潘蕾的绝地反击与刑警、心理专家协作破案,昭示正义需理性与共情合力。贝多芬《命运》贯穿全片,结局“光明涅槃”点明:直面人性之恶的勇气,才是穿透黑暗的救赎。
Anna is a 35-year-old single mother and a paramedic. One morning, as Anna is on the way to drop her daughter Katia at school, Katia is hit by a car. While her daughter is in a coma, Anna is informed that the driver was 18-year-old Marina, the daughter of a rich family. Marina’s mother is running for mayor and is willing to pay whatever to sweep the situation under the rug. The deal between the two parts is signed, yet is soon set off the table when the young girl suddenly dies. Anna turns her grief into a search for justice, a fight against courts, police, and the hospital she works for. When Marina is found not guilty, Anna realizes that it’s not just the rest of the world that has let her down, but her own family as well. Now her quest for justice gradually becomes a quest for revenge…
本剧改编自93岁高龄婚纱设计师桂由美的半生故事。战后,结婚典礼几乎都是穿和服,而1930年出生的桂由美,在东京奥运会举办的1964年,在赤坂开设了日本第一家婚庆专卖店,创业初期苦难接连不断,但凭借着“一切都是为了新娘的笑容”的信念一直坚持了下去。直至如今,作为职业女性企业家的先驱,60年来她身任时尚品牌“由美假发”的创始人兼设计师,始终在日本推广婚纱文化。