猛龙怪客

　　影片是08年《死亡飞车》的前传。
　　后工业时代，各种大型私人城市监狱被建造起来，其中最臭名远扬的就是“绝命岛”监狱。有“条子杀手”称号的卡尔（鲁克·高斯 Luke Goss 饰）被押往这里，接受无期徒刑。一心要在电视领域闯出天下的女典狱长琼斯（劳伦·科汉 Lauren Cohan 饰）掌权时期。政府将监狱的运行权交给了蔚蓝公司。在蔚蓝眼中牢房在新时代的商业运作体系下一样是有利可图的。这帮囚犯对于他们来说正是绝好的真人玩命体育比赛的选手，将他们你打我杀的画面转播出去一定大受欢迎。而蔚蓝公司精心设计的比赛项目就是“死亡飞车”。卡尔成了一名赛车手，为了自由不惜与众多监狱人员搏命，为自由而奋战着，却不知自己正走上一条传奇之路。

　　缉毒队队员泰桦（陈小春 饰）、老米（谢天华 饰）、阿峰（林晓峰 饰）、阿棠（朱永棠 饰）是感情要好四兄弟，多年前四人参与逮捕跨国毒枭老爹（秦沛 饰），行动之前上级卢sir要求所有人上交行动电话，以便防止窃听。然而老爹收买了黑警，四人中了老爹圈套，阿峰不幸遇难，卢sir也在行动中牺牲。阿棠就彻底从警队消失，老米与泰桦之间的关系变得紧张起来。
　　老爹怀疑左右手老三的身份，老三在老爹身边多年，为了自保时常向卢sir提供了情报。老米与泰桦合力抓捕狗牙，老三开枪将其打死，并自称卧底说当年被老爹贿赂的不只周sir……。
　　泰桦、老米为了给兄弟们报仇，展开了搏斗。

　　侠盗“一枝花”专劫富济贫故为人钦佩，却因正义感得罪了一名蛇蝎美人，该女子名叫“仇女”虽嫁与一土豪“孤寒财主”为妾但始终不忘被“一枝花”所辱，誓必要将“一枝花”置于死地。“一枝花”浪迹江湖，但“仇女”并未因而放过他，反而更诬造许多盗窃案令官方大举追缉之。其时江湖上出现两个小人物，一肥一瘦，肥名“胀爆”为人憨直，因仰慕“一枝花”而喜扮大侠，瘦名“扭纹柴”常自作聪明经常撞板，喜占小便宜，为了官方之花红到处找寻“一枝花”，而偶遇上“胀爆”后来反成莫逆之交，两人更结伴一同寻找“一枝花”……

　　以火车为主要叙事舞台的影片中，约翰．弗兰肯海默导演的这部战争动作片是令人难忘的杰作。故事时代背景是二次世界大战末期，德军眼看大势已去，深黯艺术无价的德国指挥官保罗．斯科菲尔德乃下令将一批法国名画从博物馆搬回德国去。负责驾驶这列火车的司机伯特．兰卡斯特在严密监视下，仍跟法国铁路局人员及地下游击队配合行动，用鱼目混珠及瞒骗等种种方式跟德军斗智，力保国宝不致流出国境之外。全片剧情结构严谨，气氛处理紧凑生动，常有令人捏一把汗的精彩场面出现。两位男主角的表演旗逢敌手，张力十足，也表现了各自的爱国心。

　　当晚史都姆返家，竟遭恶徒灭门，太太当场被杀其子尚尼幸存，史都姆在昏迷七年后，及至出院后，会同好友欧麦里及护士展开报复行动，终于揪出贪官司，父子重聚。

　　近日，滨海市禁毒大队接到贩毒举报，支队长齐伟斌带领6人小组展开调查。原本顺利的跟踪过程，突生支节，齐伟斌不得已孤身犯险独闯毒巢，随后在队友赶来支援后，将制毒窝点一网打尽。然而，首犯段氏兄弟还是逃走，进而展开报复，将警方多日布控的另一伙毒贩的首脑严康打死，从而禁毒小组失去了一条重要线索。 警方多警种合作，于命案调查过程中，寻找出蛛丝马迹，确定了嫌疑人即为逃走的段氏兄弟，通过调查的开展及相关线索梳理，分析出事件的前因后果，并确定还有幕后黑手。于是，长期从事掮客工作的“泥鳅”，进入了警方的视线。 狡猾多疑的中间人“泥鳅”，在警方设计的围捕中落网，最终供出幕后上线的真实身份。至此，几宗前后关联的案件被彻底梳理清晰，几个重要的嫌疑人纷纷露出水面，滨海市局展开全面的清扫行动，行动代号“怒火”。 滨海市局雷霆出击，严厉清扫制，最终将两股潜藏多日的毒瘤全部拔除，还滨海市一片朗朗晴天！

　　故事设定于上世纪60年代，琼斯博士（哈里森·福特 Harrison Ford 饰）即将迎来退休，但来访的故人之女海伦娜（菲比·沃勒-布里奇 Phoebe Waller-Bridge 饰）却打破了他平静的生活，后者希望和他一同寻找能够改变历史走向的宝物“命运转盘”，这也唤起了一段尘封已久的回忆。在二战末期，琼斯曾与纳粹争夺过“命运转盘”。宛如宿命一般，如今他再次被卷入“命运转盘”的争夺，而纳粹的残余势力也卷土重来，觊觎着这件宝物。

DEA agent and partner pursue thieves: their own rebellious teens, who began robbing cartel using parent tactics and classified intel.

1976年1月3日10:30-11:25在毎日放送・TBS系播放的特别节目。
　　某日，立花藤兵卫带着一群小孩子到游乐场“後楽園ゆうえんち”观看假面骑士的舞台剧表演，并且在观看表演时回想起以往与假面骑士一起生活的日子。而在藤兵卫一边回想的时侯，本乡、一文字等真正的假面骑士也相继来探望他。
　　正当藤兵卫回忆完后，表演台上一片骚动，原来台上出现了真正的怪人。见此情况，本乡猛、一文字隼人、风见志郎、结城丈二、神敬介、山本大介、城茂等人相继变身与之战斗，并且在表演台下找到敌人的首脑暗黑大将军。最终，7位骑士消灭了所有的怪人，粉碎了暗黑大将军的阴谋。

　　大业甘露二十六年，国主龙傲天病重，暗卫副统领陆沙突然暴毙，引得朝中恐慌情绪大肆蔓延。为了震慑朝堂，稳定民心，龙傲天命太子龙池携手神探安潇潇调查此案，二人联手与幕后黑手斗智斗勇，历经曲折，最终将坏人绳之于法。

　　Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!