捉鬼小精灵2

　　熊大熊二光头强意外穿越回恢宏的石器时代，在原始部落与猛犸象、剑齿虎等一众奇特生物开启了眼界大开的奇幻之旅！原始时代瑰丽非常却又危机四伏，熊强三人组与一只可爱狼女一路相伴，笑料百出。原始部落纠葛不断，女族长竟对光头强情愫暗生……面对凶猛狼族的步步紧逼、原始人类的不断质疑、自然危机的全面爆发，熊强究竟何去何从？他们又能否回归现代？一场关于守护与成长、爱与勇气的冒险，拉开序幕……

　　本过着平凡生活的夫妻雷·温克勒（伍迪·艾伦 Woody Allen饰）和弗伦奇（崔茜·尤玛 Tracey Ullman饰），一个是有犯罪前科的洗碗工，一个是专给人修指甲的美容师。然而这平静而安稳的生活，却被雷密谋抢劫银行的计划所打破。即使妻子极力反对，可雷心意已决。他不仅找上三个愚蠢的同伴入伙实施抢劫计划，居然还千方百计地拖弗伦奇下水。可这场希望一夜暴富的美梦并非如想象中顺利，一场状况百出的银行抢劫行动爆笑上演。
　　由美国著名导演伍迪·艾伦自编自演自导的喜剧电影《业余小偷》，沿袭了他一贯善于揶揄讽刺的喜剧风格形式。本剧一连串笑料百出的状况连连，加之带有浓厚地方色彩的机智对白，让这出幽默诙谐的“内行人笑话”，令人忍俊不禁、捧腹不止。女主角崔茜·尤玛凭借此片荣获2001年第58届金球奖电影类-音乐喜剧类最佳女主角提名。

　　故事背景设定在二十世纪初，以发明健康玉米片闻名全球的凯洛博士经营了一家令信徒们为之疯狂的健身疗养院，他在院中提倡禁欲、素食、瘦肠等特别的健身法，又用军事化的管理带领大家唱歌做体操，使一对慕名前来的年轻夫妻大开眼界，分别经历了一段匪夷所思的奇遇。

　　在音乐界打滚多年的拉杰米，为实现理想决定组成一个名叫＂承诺＂的合唱团，将美国黑人灵魂音乐引入爱尔兰的都柏林，并且得到贫苦劳工大众的共鸣，但由于他找来的社会各式各样的成，员因而此就在拉杰米努力鞭策他们成为一个完美的合唱团时，人算不如天算，许多不可控制的因素，使得言这个即将成功的团体面临解的命运.
　　爱尔兰都柏林人口仅百万，却有一千两百多个乐团，导演亚伦派克在三千多位试镜者中选出１２位多才多艺的年轻艺人，他们平均年龄只有２０岁，热爱音乐，堪称都柏林年青人最真实的写照

　　十七岁的美丽少女卡捷琳娜（薇拉·阿莲托娃 Vera Alentova 饰）假扮成教授的女儿，在一场宴会上邂逅了名为拉齐克夫（尤里·瓦西里耶夫 Yuri Vasilyev 饰）的摄影师，两人很快就双双坠入了情网之中。然而，当卡捷琳娜的真实身份曝光之后，拉齐克夫残忍的抛弃了她，完全不顾她此时腹中已经怀上的骨肉。 坚强的卡捷琳娜并没有因此而一蹶不振，她决定将孩子生下来，独自抚养长大。一晃眼十六年过去，卡捷琳娜凭借着智慧和努力成为了工厂厂长。某日，一位名叫果沙（阿勒克塞·巴塔洛夫 Aleksey Batalov 饰）让卡捷琳娜再度体会到了心动的感觉，谁知道，她的身份再一次成为了这段感情中的绊脚石。

　　北宋的普通青年司徒耀祖（郑恺 饰）在名门正派习武学成，进入社会后才发现现实的残酷，他放弃了毫无前途的捕快工作，奔赴首都汴梁寻找人生价值。在汴梁，司徒耀祖结识了无法走红的歌姬王二丫（潘之琳 饰），并与喜好丹青的官二代张鼎鼎（孙坚 饰）不打不相识。因张鼎鼎的父亲不愿儿子成为 危险系数过高的驸马，司徒耀祖偶然成为张父的义子，顶替张鼎鼎参与驸马的争夺，并与张鼎鼎的好友王翠（余思潞 饰）一较高下，胜出的耀祖有了做驸马的资格，但公主却已被番邦掳走，为了成为驸马，司徒耀祖、张鼎鼎、王二丫和王翠四人踏上了惊心且搞笑的搭救公主的旅途，同时他们也经历了各自的成长……

　　A Man lives in his car. He is 40 years old and although he does not have a lot of free time, when he does, he chooses to spend it with his family. He meets his wife and two children at a specified day and time in car parking lots. His job is to locate and bring the finest honey to a 50-year old man. A New Driver shows up and the Man gets fired. The Man’s life changes and he finds it absurd that no one trusts him anymore.

　　男主陈重因送红包花光积蓄30万，怒而伙同好友们策划一系列意想不到的“回本”计划，一场由红包引发的喜剧，就此展开了……

　　两个在丹麦穷途末路的小偷古飞宇和贝永新，为了还清黑帮老大李的赌债，本想盗走最后一票却卷入了一场古堡遗产争夺战中，遇到了本以为是古堡合法继承人的莫巧雨。在和莫巧雨一起躲避李的过程中发现了古堡背后的秘密和莫巧雨真实的身份。

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
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