险恶江湖逍遥剑[电影解说]

简介：极棒的、未受到充分重视的film noir；绝对诡异迷离的经历；茫茫大海的航船上，孤离封闭与半开放的场景空间；高妙的紧张氛围，奇特的声音设计，有点反noir精神的不一样的明亮打光；惊喜连连！ 　　Falling somewhere in the middle distance between Hitchcock's The Lady Vanishes and Jodie Foster's Flightplan, the 1953 thriller Dangerous Crossing is another tale of a perilous journey where someone disappears into thin air and only one person even remembers him existing. 　　Jeanne Crain is Ruth Bowman, formerly Stanton, a newlywed who boards an ocean liner with hubbie John (Carl Betz) to honeymoon abroad. Once the ship has sailed, however, John is nowhere to be found, and no one but Ruth remembers seeing him. Adding further frustration is the fact that though Ruth insists they checked into a larger room as a couple, the ship has her booked in a different room as a single passenger, and under her maiden name to boot. The ship's doctor, Paul Manning (Michael Rennie), takes Ruth under his care, but he becomes too confused by his attraction to her to know for sure if she's telling the truth or merely delusional. Late-night phone calls from John warning Ruth of trouble are no help, nor is the fact that the nuptials were so quickly arranged, there is nothing to verify that they even happened, not even a ring. 　　Ruth sees trouble around every corner. So much so, you'd be forgiven if you mistook the pleasure cruiser for a fishing trawler casting a wide net for red herring. There is the gay divorcee who warned of lost husbands, and the leering steward and his inappropriate innuendos. There is also a little post-War paranoia, with the creepiest suspect being a German-accented man with a limp. Even the audience has some reason to doubt Ruth. We've seen John, but her whispered inner monologue makes us wonder if maybe we're not part of her persecution complex. 　　Directed by Joseph Newman, and based on a story by mystery writer John Dickson Carr, Dangerous Crossing may be the 24th entry in Fox's newly exhumed Film Noir series, but purists will find that definition stretched a bit to include this title. Though Newman does imbue the ocean liner with an atmosphere of dread, with its endless corridors, foggy decks, and even the occasional, subtle up-and-down shifting of the frame to simulate the queasiness of sea travel, he doesn't take full advantage. Dangerous Crossing lacks the hardboiled edge or blackened morality that is normally found on noirish streets. Plus, some of the more seasoned purveyors of the genre with a stronger sense of the grotesque would have never thrown a Halloween party on board without using masks and hidden identities to take advantage of the noir theme of reinvention. It's like Mr. Arkadin put on one of his costume parties and everyone showed up in their regular clothes. 　　Yet, if you're not bugged by misplaced tags and want a solid black-and-white suspense film, Dangerous Crossing should do the trick. Jeanne Crain makes for an excellent losing-her-mind heroine, and the script should keep you guessing right up until the big reveal.

简介：This movie (not to be confused with another Carroll Baker vehicle "Kiss Me, Kill Me" aka "Baba Yagi--the Witch")is Umberto Lenzi's follow-up to his groundbreaking classic "Paranoia". It came out the same year as Dario Argento's "The Bird with Crystal Plumage" (the film which started the deluge of Italian gialli) and was produced by the Martino brothers, who later made a number of interesting giallo films (usually featuring Eugenio Martino's alluring mistress, Edwige Fenech). It stars Carroll Baker, demonstrating her acting chops here by playing a character that is the exact opposite of the naive victim she played in "Paranoia", and it also features two excellent, native European actors--Jean Loius Trintignant and the gorgeous Erica Blanc. The script is surprisingly well-written and full of suspense and genuine surprises. It is a clever variation on the classic French film "Diabolique" with a decadent, high-society husband (Tritignant), wife (Blanc), and mistress (Baker) all crossing and double-crossing each other. It cleverly plays with the viewers awareness of the earlier film before throwing in an unexpected curve. It also seems to be very well filmed. (It's hard to believe that years later Lenzi would be making nauseating and inept cannibal films like "Cannibal Ferox" or just plain inept American slasher movies like "Hitcher in the Dark"). I say seems, however, because this film is only available on second or third generation copies of Greek videotapes that are not only panned-and-scanned, but are very badly panned-and-scanned so that the characters are often halfway off the screen. Trying to appreciate this movie is like trying to appreciate a beautiful painting that has both sides cropped off and is covered with really murky cellophane (and burnt-in Greek subtitles). If Lenzi's crap movies like "Ferox", "Hitcher", and even, god help us all,"Eaten Alive", can get the star DVD treatment, why can't "Paranoia" or this little gem? Oh, but I almost forgot--despite the title there isn't too much perversity here. Baker has a lot more nude scenes in "Paranoia". There is some Blanc-related nudity (although, in my opinion, you can never have enough of that), but the lesbian relationship between the two of them is unfortunately only hinted at. Of course, it may just have been cropped out. . .

简介：一位年轻妻子的意外失踪迫使主角报警。专员开始调查，与此同时，当地的牧师带着一位据称悔改的妻子来到这位悲痛欲绝的丈夫面前。

简介：在传说中，印度的月亮神身上有一颗非常名贵的宝石流落人间，被代代相传。一位名叫约翰（泰伦斯·哈德曼 Terrence Hardiman 饰）的英国军官在殖民印度的时候发现并且夺走了这枚宝石，将它带回英国。然而，这枚宝石虽然名贵，但是却仿佛被诅咒了一般，每一个它的所有者，最终都会死于非命。与此同时，三名印度婆罗门教徒远渡重洋来到英国，身为宝石的守护者，他们发誓无论付出任何的代价都要夺回这宝物。 　　临死之前，约翰将宝石交给了自己的外甥女蕾切尔（凯莉·霍威 Keeley Hawes 饰）作为她的生日礼物，哪知道这份好意打破了姑娘平静的生活。当晚，宝石不翼而飞，蕾切尔踏上了寻找宝石小偷的旅途。

简介：尽管全球通力协作，地球还是不可避免地要与太阳相撞了，英国记者报道这个即将到来的灾难。

简介：米尔德里德（琼·克劳馥 Joan Crawford 饰）的丈夫蒙特（扎查瑞·斯考特 Zachary Scott 饰）抛弃了妻子，也抛弃了他们的两个女儿。米尔德里德对大女儿维达（安·布莱思 Ann Blyth 饰）尤为溺爱，心中充满了愧疚，宁愿去做卑微的餐厅服务员也要让女儿吃好的穿好的过上等人的生活。在母亲的纵容之下，维达渐渐变成了一个眼中只有荣华富贵的女人。                                                                      　　在威利（杰克·卡森 Jack Carson 饰）和艾伯特（布鲁斯·本内特 Bruce Bennett 饰）的帮助下，米尔德里德终于拥有了属于自己的餐厅，一家人终于脱离了苦海，而米尔德里德在艾伯特的身上亦再度找到了爱的感觉。然而，随着时间的推移，米尔德里德发现维达似乎亦在有意无意的勾引着艾伯特，母女之间的感情出现了裂痕。

简介：泰吉•巴德兰德巴德（卡尔•潘 Kal Penn 饰）带着范•维尔德的精神和大学学位，远赴英国加尔福德大学——这里是他父亲曾经“战斗”过的地方，兄弟会“狐狸与猎犬”之屋留下了父亲风光的记忆，然而来这里担任助教的泰吉并不被对方认可，狐狸与猎犬的首脑皮普反而将泰吉戏弄了一通。泰吉来到自己负责的宿舍——被戏称为马厩的败落小屋，这里住着四个边缘化的学生：研究量子物理和男女关系的盖辛，暴躁的爱尔兰人谢莫斯，沉默的宅男赛门以及不检点的女生赛迪。泰吉为了让这几位问题青年重新振作，自组鸡公牛社团向皮普的狐狸与猎犬之屋发起挑战，而皮普的女友查莉令泰吉一见钟情，于是一场关乎学生尊严和助教爱情的奋战拉开了序幕……

简介：《丧尸出笼2病毒》是由Ana Clavell执导的惊悚片，Laurie Baranyay、Stan Klimecko、John Freedom Henry等领衔主演。 　　影片讲述了一种奇怪的病毒的爆发使医院里爬满邪恶的僵尸的故事。

简介：在马萨诸塞州康科德郁郁葱葱的Evenswood庄园，美丽的孤儿Edith Adelon（Cari Shayne饰）作为富有的汉密尔顿家族女儿的付费伴侣生活，尽管他们认为她是自己的一员。几年前，亨利·汉密尔顿（汤姆·孔蒂饰）应早已去世的兄弟的要求，从意大利孤儿院救出了伊迪丝。现在，伊迪丝是他女儿艾米（Brigitta Dau饰）珍贵的朋友和红颜知己。当汉密尔顿一家等待三位游客参加一年一度的格林杯赛马时，比阿特丽斯·汉密尔顿（梅雷迪思·巴克斯特饰）请求伊迪丝帮助她为堂妹艾达·格伦肖（布里吉德·沃什·布兰纳饰）和两位符合条件的单身汉中的一位找到合适的丈夫。但是，当两个年轻人都对伊迪丝而不是艾达有感情时，嫉妒很快就会发展起来，导致恶意的纵容和残酷的背后捅刀子。尽管伊迪丝和其中一个年轻求婚者之间的爱情越来越深，但由于社会阶层的冲突，这对夫妇一次又一次地被提醒，他们的爱情永远不可能。《遗产》是一个故事，讲述了一个无辜的年轻女子努力理解自己在汉密尔顿家庭和社会中的地位，以及她对赞助人和一个她永远不会结婚的年轻人的爱。

简介：故事发生在1940年的朝鲜京城，郑素律（韩孝周 饰）是当时最有名的歌妓，她拥有美艳的容貌和出色的才艺，是风流才子们千金散尽都想要共度春宵的存在。徐妍熙（千玗嬉 饰）是郑素律从小玩到大的好友，同时和郑素律一样亦是一名歌妓。歌妓外表风光无限受万人追捧，实际上却是个充满了艰辛和苦楚的职业，两姐妹在一起相互扶持陪伴，彼此之间情谊十分深厚。 　　金允宇（柳演锡 饰）是一名流行作曲家，在当时深受大众的喜爱，一次偶然之中，郑素律听到了金允宇新创作的一首歌曲，十分喜爱，想让金允宇把这首歌献给她来咏唱，然而，在金允宇的心中，能够完美诠释自己歌曲的人，却是名气不如郑素律的徐妍熙。

简介：1940—1945年这个时期对阿根廷电影业来说不是一个走运的时期。由于战争期间缺少从美国进口的胶卷，使得布宜诺斯艾利斯失去了在西班牙语世界的优势地位，而墨西哥却因此获得好处。到1945年，影片产量从原来50部左右下跌到25部。 　　阿根廷电影界最后所作的重大努力之一是把洛普·德维加的原作《鬼妇》搬上银幕。在这部豪华而细致的影片里，萨斯拉夫斯基同两个西班牙共和主义者合作：诗人阿尔维蒂改编剧本，美工师戈里·穆诺斯担任布景师。 　　（世界电影史）

简介：爱丽丝在丈夫骤然离世后深陷悲痛，受邀前往公婆的乡间庄园暂住，试图和丈夫的家人互相慰藉，一同走出丧亲的阴霾。可入住没多久，诡异状况便接连爆发，庄园里怪事频发，身边的亲人举止日渐反常。很快，恶灵诅咒席卷整座宅邸，身边的人一个接一个被侵蚀异化，变成面目焦黑、嗜血狂暴的死徒。她逐渐发现，当年婚礼上许下的婚姻誓言并未随丈夫的死亡消散，反而成了缠绕整个家族的恶灵契约。被困在庄园里的她，必须在亲人彻底沦陷前，在遍地死徒的绝境里拼杀求生。