210
3.0

那晚他们来敲门[电影解说]

导演:
Sean F. Roberts Jr.
主演:
Rachel Donahue,Deirdre Koczur,Mickey Roberts
别名:
未知
3.0
210人评分
英语
语言
未知
上映时间
未知
片长
简介:

  在他们的最后一个周末在一起,一群朋友住在一间隐居的山房里,他们的乐趣突然被敲门声打断

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简介:木匠亚当·贝德是本书的主人公,他爱上了美丽的农家姑娘海蒂。海蒂虽然容颜娇美,但个性虚荣,而且由于太年轻对世事总存有不适当的想象,痴情于庄园主的孙子——年轻的上尉亚瑟,在她简单的头脑里亚瑟等于漂亮衣服、金银首饰……亚瑟年轻英俊,他喜欢海蒂,就像大家都喜欢美的东西的那种心理。他有知识,有善良的心,理性地判断出他和海蒂之间是不会有结果的。但这两个年轻人还是越轨了。                                                                        亚瑟回军队的前一天,他准备向海蒂澄清一切,但不小心被亚当撞见他们在接吻……亚瑟离家后,海蒂忍受不了再重复以前单调的生活,仅仅是希望要一点变化,草率地答应与亚当订婚。不久,海蒂发现已经怀有身孕,她想死又没勇气,不得以背着家里人只身去找亚瑟,而此时正婚期将至。更惨的是她没能如愿找到亚瑟就在途中分娩。她怀着复杂的心情把婴儿丢弃在一个树林中,因而以谋杀婴儿罪判处绞刑。亚瑟毕竟社会地位较高,四处奔走为她获得赦免令,但必须要流放国外。                                                                        最后,亚当与卫理会布道士黛娜结婚。
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毒美人[电影解说]
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毒美人[电影解说]
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更新时间:09月10日
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简介:This movie (not to be confused with another Carroll Baker vehicle "Kiss Me, Kill Me" aka "Baba Yagi--the Witch")is Umberto Lenzi's follow-up to his groundbreaking classic "Paranoia". It came out the same year as Dario Argento's "The Bird with Crystal Plumage" (the film which started the deluge of Italian gialli) and was produced by the Martino brothers, who later made a number of interesting giallo films (usually featuring Eugenio Martino's alluring mistress, Edwige Fenech). It stars Carroll Baker, demonstrating her acting chops here by playing a character that is the exact opposite of the naive victim she played in "Paranoia", and it also features two excellent, native European actors--Jean Loius Trintignant and the gorgeous Erica Blanc. The script is surprisingly well-written and full of suspense and genuine surprises. It is a clever variation on the classic French film "Diabolique" with a decadent, high-society husband (Tritignant), wife (Blanc), and mistress (Baker) all crossing and double-crossing each other. It cleverly plays with the viewers awareness of the earlier film before throwing in an unexpected curve. It also seems to be very well filmed. (It's hard to believe that years later Lenzi would be making nauseating and inept cannibal films like "Cannibal Ferox" or just plain inept American slasher movies like "Hitcher in the Dark"). I say seems, however, because this film is only available on second or third generation copies of Greek videotapes that are not only panned-and-scanned, but are very badly panned-and-scanned so that the characters are often halfway off the screen. Trying to appreciate this movie is like trying to appreciate a beautiful painting that has both sides cropped off and is covered with really murky cellophane (and burnt-in Greek subtitles). If Lenzi's crap movies like "Ferox", "Hitcher", and even, god help us all,"Eaten Alive", can get the star DVD treatment, why can't "Paranoia" or this little gem? Oh, but I almost forgot--despite the title there isn't too much perversity here. Baker has a lot more nude scenes in "Paranoia". There is some Blanc-related nudity (although, in my opinion, you can never have enough of that), but the lesbian relationship between the two of them is unfortunately only hinted at. Of course, it may just have been cropped out. . .
945
1969
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