《幽灵肖像》是一场穿越时间、声音、建筑和影像的多维旅程。影片的背景是巴西伯南布哥州的州府累西腓。这是一座历史文化名城,在20世纪,城里的电影院曾经是无数人的欢乐殿堂。它们承载着梦想与进步,也纪录下社会实践的重大变迁。《幽灵肖像》结合历史影像资料、传说、电影片段和个人记忆,以电影的镜头谱绘出城市的图景。
"MAGICIANS follows four world-class magicians on stage and off, exploring how and why these characters so passionately dedicate their lives to the craft of illusion. Their journey takes us from the most humbling of road gigs to grand performances on the biggest of stages, from finding love to terrible personal loss and to the prospect of losing everything for a dream others don't understand. As we come to understand why each is obsessively chasing his own dream, we'll discover the unhidden secret: far more fascinating than the magic are the magicians themselves."
本部纪录片是导演迈克尔·艾普特从1964年开始拍摄的纪录片系列的第四部。迈克尔·艾普特在1964年为英国BBC电视台拍摄了记录片《7 Up》,采访来自英国不同阶层的十四个七岁的小孩子,他们有的来自孤儿院有的是上层社会的小孩。此后每隔七年,艾普特都会重新采访当年的这些孩子 ,倾听他们的梦想,畅谈他们的生活。此时,他们已经长到28岁,正处在一生中的黄金年华。有的结婚生子,有的正在打拼自己的事业。儿时的梦想正逐步转为现实的面目,漫漫人生的旅途才刚刚开始。 2012年,导演迈克尔·艾普特推出《人生七载之当我五十六》,继续忠实的记录着这些年过半百的“孩童们”,生活中的点点滴滴。
Celebrates the remarkable comeback of one of the world's most iconic animals. Tiger populations have rebounded so successfully, many of the big cats are venturing from India's forest reserves into farms and villages-a monumental challenge for both people and animals. The heroes in this story are the vets, scientists, and community patrols dedicated to ensuring that tigers and people can coexist.
A documentary on the history of garlic. Blank interviews chefs, garlic lovers, and historians about the their love of the 'stinking rose.' Often referred to as a stinking rose, garlic, in its culinary uses, generally evokes a love it or hate it response. Quite often, these responses are on cultural lines, where old world cultures have generally revered it in their cooking, while new world cultures have not. A renaissance of sorts is taking place in the use of garlic in the United States, with more and more immigrants bringing their use of the spice to the country, with more people desiring more spice in their food, with a desire to get back to the land and with the production of plant a large part of the Central California landscape. Many chefs are presented preparing dishes prominently featuring the spice. On the bad side, the association of garlic to bad breath is discussed. On the other side, its purported health benefits are also discussed. Other topics presented include its association to vampirism, and speculation of how people will want their garlic to be presented to them in the future.
Apple TV+和BBC联合出品,以“911”事件发生后12小时的故事为主线,记录了布什政府在袭击当天的行动轨迹,并公布了一些从未被披露过的细节。
实验性纪录剧情长片《我心我行》,编导/摄影 姚宏易、监制 侯孝贤、主演 许芳宜、特别演出 谢盈萱、陈竹昇、孙翠凤。 舞蹈家许芳宜的半自传的实验性纪录剧情长片,之前在《俗女养成记2》有合作的陈竹昇、谢盈萱饰演许爸许妈。金马59入围最佳摄影、最佳动作设计、最佳原创电影音乐三项。11月11日院线上映。
It is a personality-TV-show for German actress Brigitte Mira. In different TV-studio-settings Brigitte Mira sings some popular songs starting with Leonard Cohens BIRD ON A WIRE in German language WIE EIN VOGEL AUF DEM DRAHT - the title of this show.
这是一部关于冲浪的体育记录片。两个来自加州的年轻人, 罗伯特·奥古斯特(Robert August)和迈克·汉森(Mike Hynson),为了找到他们心目中完美的海浪,进行了一次环球旅行。足迹遍布夏威夷、西非,直至澳大利亚。一些真正的冲浪选手也参与了该片的拍摄工作。影片充满了60年代中期的气息。人们不仅可以看到那时冲浪选手们的装束,还可以了解到第三世界的住宅和燃料问题。虽然三十年后的今天,这些早已过时,但导演布鲁斯·布朗(Bruce Brown)独特的叙事手法使得该片仍然不失为一部佳作。随着两个年轻人旅程的不断深入,我们尽情地领略了大自然的美妙,同时,各种不同文化之间的碰撞与冲突也展现眼前。也许这才是导演真正想要传达的意图吧。
Every summer, teenage girls from across Missouri spend a week building a government from the ground up. Coming from different ends of the political and socioeconomic spectrum, they all share a passion for reimagining the future of America. The filmmakers behind Boys State (T/F 2020) return to the world of teen politics to capture the 2022 program – the first time in history that Girls State and Boys State take place simultaneously on the same campus. With rumors of Roe v. Wade being overturned in the real world, the stakes feel higher than ever for these ambitious and dedicated young women. As the days unfold and rumblings from the Boys program make their way across campus, discontent begins to emerge over the disparities between the two. An exhilarating portrait of our political landscape and the pivotal issue of gender equality.
作为坂本龙一献给世界最后的礼物,影片记录了坂本龙一生前最后一场钢琴独奏音乐会,其中包括《圣诞快乐,劳伦斯先生》《末代皇帝》《水》等在内的二十首经典曲目。
电影带领观众领略水的别样之美和自然之力。影片采用少见的每秒96帧拍摄技术制作,真诚地提醒我们在地球最宝贵的自然环境面前,在自然巨大的力量,变化莫测的想法面前,我们根本不是对手。影片的主角是水,从俄罗斯贝加尔湖危险的冰冻水域,被飓风厄玛带到迈阿密,最后到达委内瑞拉壮观的安赫尔瀑布。导演维克多·科萨科夫斯基以令人惊叹的电影制作清晰度捕捉到水的多种特点。
长命百岁是否必然幸福? 孝与不孝如何界定? 离与留又该如何取舍?纪录片《伴生》娓娓道来两代人对生与死的价值观的差异和矛盾。有人因不忍父亲饱受病魔折磨及丧妻之苦,而祈求父亲能早归天家;有人因长期照顾患病父母而心生压力,渴望开展自己的生活;有人因母亲健康急转直下反而重建分隔多年的关系。 一生建构的种种链接,伴随死亡,是否能瞬间化为烟霞? "Does longevity bring happiness? Would it be unfilial if you wish the death for your father? Departure or continuous to suffer, a hard choice to make? Snuggle shows the value difference of 'life and death' between two generations. Someone wishes the death for his father because he cannot stand watching his father suffering from illness and loneliness someone feels so stressed that she has to sacrifice her life to take care of her parents someone happens to restore the relationship with his mother because she is unwell seriously. When it comes to death, would all those relationships we have in this life last for one more second?" 第23届香港电影评论学会大奖