卑劣的街头[电影解说]
2.0|06月26日|已完结
简介:

  赵炳斗(赵仁成 饰)是一个三流社团的小头目,家中有两个弟妹,母亲身体不好,生活困顿;他在社团里也混得不如意,老大不器重,净派一些当街打架、恐吓收债的小事情,本来应该他接手的游戏厅也被别人抢了功。
  炳斗的同窗好友金珉浩(南宫民 饰)是一个不得志的小导演,为了拍黑帮片,找炳斗体验生活;在金珉浩的帮助下,炳斗也和初恋对象姜贤珠(李宝英 饰)重逢,但是炳斗黑社会的身份让贤珠心存芥蒂。
  终于,炳斗抓住了一个机会代替了老大,在社团中地位大大提升,他帮助清理拆迁中的钉子户,使社团新开发的房地产项目大获成功,自己也从中分了一杯羹;在他坚持不懈的努力下,贤珠渐渐接受了他的感情,他也答应退出黑社会,过平淡的生活。
  金珉浩的电影因为真实而深受好评,炳斗到电影院观看,正是这部电影,改变了二人的生活,事情往不可控制的方向发展

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简介:这部电影讲述的是三一(特伦斯·希尔饰马里奥·吉罗蒂),一个拿着快速武器的流氓和自大的枪手,他是一名赏金猎人。他的兄弟Bambino(Bud Spencer饰)是一个村庄的治安官,但也是一名试图实施抢劫的卧底小偷。他们将与一位富有的老板(Farley Granger)和一名试图驱逐到摩门教徒团体的墨西哥掠夺者对峙。它们有助于和平解决,对抗将不可避免,但是通过连续的战斗发展起来的,没有流血,也没有血腥或残酷的谋杀。暴力不是粗鲁的,而是轻微的,以喜剧和模仿为主。故事情节既尴尬又荒谬,但也有令人愉快的时刻。这是一部充满幽默的意大利式西部片,讲述了常见的问题:无敌的反英雄、壮观的决战、暴力的对抗,但又结合了闹剧和简单的幽默。这是一部娱乐性的意大利西部片,有足够的播放时间,其中有讽刺、舌头检查、枪战、无数挣扎,非常有趣和有趣。特伦斯·希尔富有同情心,风趣幽默,讨人喜欢;巴德·斯宾塞是一个粗鲁、两手空拳、蹦蹦跳跳、脾气暴躁的男人,但心地善良,他们的角色与斯坦·劳雷尔和奥利弗·哈迪相似。这部电影是对著名电影的恶搞,比如“壮丽的七座”和“燃烧的马鞍”,但上面覆盖着意大利面条。这部电影获得了续集,主角和导演都是一样的——三一仍然是我的名字。此外,还出现了一系列可怕的模仿和复制品。评分:很好,很困惑。
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毒美人[电影解说]
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简介:This movie (not to be confused with another Carroll Baker vehicle "Kiss Me, Kill Me" aka "Baba Yagi--the Witch")is Umberto Lenzi's follow-up to his groundbreaking classic "Paranoia". It came out the same year as Dario Argento's "The Bird with Crystal Plumage" (the film which started the deluge of Italian gialli) and was produced by the Martino brothers, who later made a number of interesting giallo films (usually featuring Eugenio Martino's alluring mistress, Edwige Fenech). It stars Carroll Baker, demonstrating her acting chops here by playing a character that is the exact opposite of the naive victim she played in "Paranoia", and it also features two excellent, native European actors--Jean Loius Trintignant and the gorgeous Erica Blanc. The script is surprisingly well-written and full of suspense and genuine surprises. It is a clever variation on the classic French film "Diabolique" with a decadent, high-society husband (Tritignant), wife (Blanc), and mistress (Baker) all crossing and double-crossing each other. It cleverly plays with the viewers awareness of the earlier film before throwing in an unexpected curve. It also seems to be very well filmed. (It's hard to believe that years later Lenzi would be making nauseating and inept cannibal films like "Cannibal Ferox" or just plain inept American slasher movies like "Hitcher in the Dark"). I say seems, however, because this film is only available on second or third generation copies of Greek videotapes that are not only panned-and-scanned, but are very badly panned-and-scanned so that the characters are often halfway off the screen. Trying to appreciate this movie is like trying to appreciate a beautiful painting that has both sides cropped off and is covered with really murky cellophane (and burnt-in Greek subtitles). If Lenzi's crap movies like "Ferox", "Hitcher", and even, god help us all,"Eaten Alive", can get the star DVD treatment, why can't "Paranoia" or this little gem? Oh, but I almost forgot--despite the title there isn't too much perversity here. Baker has a lot more nude scenes in "Paranoia". There is some Blanc-related nudity (although, in my opinion, you can never have enough of that), but the lesbian relationship between the two of them is unfortunately only hinted at. Of course, it may just have been cropped out. . .
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