殿下，给点利息

　　"The Witch Burnt Alive"
　　After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.
　　"Community Spirit"
　　Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.
　　"The Earth Seen from the Moon"
　　The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.
　　"The Sicilian"
　　Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.
　　"A Night Like Any Other"
　　Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.

　　Siskel and Ebert once ran a special show entitled "Movies I'm Embarrassed to Admit I Liked." I suppose that if I composed such a list of guilty pleasures, this one would be one of them . . . but upon reflection, it's really a lot better than that. Fifteen year-old science prodigy Mitch (Gabe Jarret) is recruited by ambitious college professor William Atherton (in yet another of his patented roles as a loathsome character) to work on the professor's prize laser project, not knowing that the prof is really developing a government weapon. Along the way, Mitch is befriended by Chris (Val Kilmer), another prodigy a few years his senior who teaches the Mitch how to loosen up.
　　This could have degenerated into nothing more than just another teen revenge comedy, but there's so much more: the dialogue is laced with sharp wit there are some lovely scenes that have nothing to do with the story yet are carefully set up, almost as blackouts (e.g., Mitch goes to a lecture at which a few students have left tape recorders instead of attending later, at another lecture there are more tape recorders than students and, in a final scene, one large tape recorder gives the lecture to a room populated by nothing but other small recorders!) and throw-away scenes that make you want to stop and back up the tape (e.g., Chris off-handedly cutting a slice off a bar of solid nitrogen to make a slug for the coffee machine).
　　It's also one of the few movies to boast the presence of the memorable Michelle Meyerink -- as Jordan, the "girl-nerd" who made being smart and female something to be emulated. And there's Tears for Fears great song, "Everybody Wants to Rule the World" providing the perfect coda as the closing credits begin to roll . . . . Yes: really now, what's there to be embarrassed about?

　　丽莎（莱斯利·曼恩 Leslie Mann 饰）、米切尔（约翰·塞纳 John Cena 饰）和亨特（艾克·拜瑞豪兹 Ike Barinholtz 饰）本是八竿子打不到一起去的三人，却因为他们的孩子——朱莉（凯瑟琳·纽顿 Kathryn Newton 饰）、山姆（吉第安·艾朵 Gideon Adlon 饰）和凯拉（杰拉尔丁·维斯瓦纳森 Geraldine Viswanathan 饰）而被紧紧的联系到了一起。
　　三个姑娘在学校里是最要好的朋友，即将面临毕业的三人秘密制定了一个计划，那就是在毕业舞会那天晚上破处。三名家长在一次偶然之中知晓了这个秘密，他们的内心里立刻响起了警钟，于是，三人决定联手阻止三个女孩愚蠢的计划，可是，这些大人们拟定的方案似乎也没有那么高明。

　　比阿特丽斯是一个胡话连篇的人，自称是一个与世界各国的大咖有密切往来并有亿万财产的伯爵夫人。唐纳特拉是一个安静的纹有纹身的女人，禁锢在自己的神秘里无法自拔。她们都是精神病人，在精神病院里遭受软禁。
　　保罗维尔奇这部新片讲述了她们之间出乎意料的友谊，和在逃离精神病院的冒险过程中这两个疯子不断在这个露天的所谓正常人的世界里寻求乐趣和爱的故事

　　尼克（杰森·贝特曼 Jason Bateman 饰）在公司苦熬八年，起早贪黑卖命工作，老板戴夫（凯文·史派西 Kevin Spacey 饰）明明许诺他升职，却临时反悔还狠狠奚落了他一番；戴尔（查理·戴 Charlie Day 饰）是个牙医助手，早就对上司朱莉娅（詹妮弗·安妮斯顿 Jennifer Aniston 饰）放肆的性骚扰忍无可忍；科特（杰森·苏戴奇斯 Jason Sudeikis 饰）本被视为公司接班人，哪想老板突然暴毙，其子鲍比（柯林·法瑞尔 Colin Farrell 饰）擅自接手公司，得意洋洋发挥自己的二世祖精神，眼看就要把公司搞垮。三个在恶老板手下受挫的老友在酒吧聚头，突发奇想决定集体干掉老板，且三人分别避开自己老板出手，就能逃开嫌疑，成就完美谋杀。经过精心策划，三位老友各出奇招，一场笑料百出的“杀掉老板”计划就此展开……

　　Kat Emerson could really use a Christmas miracle! The aspiring singer-songwriter may have big dreams, but she has even bigger problems. Treated like a servant by her vain stepmother and self-involved stepsisters, Kat is forced into a demoralizing job as a singing elf at billionaire Terrence Wintergardenâ€TMs Santa Land. But there is one bright spot to the job: Nick, the handsome new Santa at the tree lot. When Kat gets invited to the prestigious Wintergarden Christmas Gala, her stepfamily is determined to prevent her from attending and snag their own invitation. Could an attentive dog, a loyal BFF and a sprinkling of holiday magic help turn things around for Kat? Join Laura Marano (Disneyâ€TMs Austin Ally), Gregg Sulkin (Marvelâ€TMs Runaways) and Isabella Gomez (One Day at a Time) in this modern-day reimagining of the cherished classic, featuring original music and holiday favorites.

　　库珀（瑞茜·威瑟斯彭 Reese Witherspoon 饰）是一名拥有着超强正义感的火爆女警，在上司的安排下，她接受了一个艰巨的任务，那就是护送一位名为丹尼艾拉（索菲娅·维加拉 Sofia Vergara 饰）的金发美女前往达拉斯，在那里，安妮艾拉将会成为指证毒枭的重要证人。
　　让库珀没有想到的是，丹尼艾拉的个性和自己一样一点就着，一山容不得二虎，两个女人之间从见面一开始就充满了浓浓的火药味，这将注定不会是一段太平的旅途。更糟糕的是，库珀一行人刚刚出发没多久就遭到了黑帮分子的伏击，丹尼艾拉的丈夫里瓦先生（文森特·拉斯卡 Vincent Laresca 饰）更是在交火之中不幸丧生。作为仅剩的幸存者，库珀和丹尼艾拉该如何抵达目的地，完成她们的使命呢？

　　《羞答答的铁男》是由江苏辰锐网络科技有限公司、山南光线影业有限公司、北京淘梦网络科技有限责任公司联合出品的喜剧网络电影。
　　该片讲述了出生在女儿国的李铁男，在24岁生日当天被亲妈举报，送进了植男改造中心。铁男和他的兄弟们为了维护钢铁植男的尊严，奋勇和大教官率领的美女教官团队抗争的故事。

　　武艺高强的大内秘密侍卫柳玉娥（胡然饰）负责保护皇上和皇后，多次护驾有功。柳玉娥与京中才子何季常（陈浩民饰）一见钟情，机缘巧合在皇后（苑琼丹饰）安排的比武招亲中结为夫妻，展开了一系列啼笑皆非的故事。文弱书生何季常面对刚烈异常向往忠贞爱情的妻子，以及身份成谜的万花楼头牌琴操（蔡洁饰），将如何抉择，又将卷入怎样的惊天阴谋……

　　How easy is it for desperate youngsters to become dangerous gangsters in a decaying society washed all over by the blood of war? Fairly easy indeed. Rane shows incidents, probably somewhat facts, that took place in Serbia of the war era. Things similar to what you see on this film could happen virtually everywhere, but this film gives a very Yugoslavian feeling to everything. Yugo style mafia, Yugo style murder, and all that. Revolting politicians and their greed are to blame, not only the desperate young men who lose their reasoning while trying to be someone. The film and the casting is overall successful, and it's so very Serbian. I recommend it to anyone who.. well anyone who likes a good film. But don't expect anything American style on this one, as I say it's Yugo to the bone.

　　故事讲述的是一群朋友 他们每年举办1/2的新年派对 特别是今年 当这群人聚在一起 用大量的爱和同情送出自己的感情时 他们的关系、友谊和感情都会受到考验。

　　萨缪尔（欧麦•希饰），黑人移民后代，普罗旺斯地中海峡湾和沙滩上有名的花花公子，白天给老板娘做豪华游艇驾驶员，晚上当迪吧派对主持人，凭借着帅气、幽默以及撩妹的天赋，获得了来来往往各种年龄女人的爱媚。一天清晨，不速之客克莉丝汀（克蕾曼丝•波西饰），抱着3个月大的混血女婴找上门，说孩子是和萨缪尔一年前的一夜情留下的，借口付车费、抛下孩子走了。男主根据脸书上唯一的头像，来到伦敦寻克莉丝汀未果，偶遇法国老乡制片人贝尔尼（安托万•贝尔纳饰），在片场找到了生计，变成超级奶爸，让孩子格罗里亚快乐地长大。八年后的一天，孩子母亲突然出现，情况变得复杂……